KOLEKSİYONERLER, FOTOĞRAF VE MODA SANATÇILARINA ÖNEMLE DUYURULUR.
ÇOK ÖZEL KOLLEKSİYONUMDAN ÇOK NADİR VE DEĞERLİ BİR KİTAP/ALBÜM
KİTAP HAKKINDAKİ DETAYLI AÇIKLAMALAR AŞAĞIDA VERİLMEKTEDİR. DUST COVER OLARAK NİTELENDİRİLEN KAPAK KARTONUNUN KENARLARINDA COK HAFİF SARARMA MEVCUTTUR, SAYFALARA YANSIMAMIŞTIR. KESİNLİKLE SİGARA İÇİLMEYEN BİR ORTAMDA SAKLANMIŞTIR. TAMAMİYLE YENİ KONDUSYONA YAKIN BENZERSİZ BİR ALBUMDUR. ORNEKLERİNİ GORDUGUNUZ SİYAH BEYAZ RESİMLERİN BULUNDUGU TÜM SAYFALARDA PARMAK İZİ BULUNMAMAKTADIR, KİTAP COK AZ VE ÖZENLİ BİR ŞEKİLDE AÇILMIŞTIR.
YURTDISI ÖRNEKLERİNDE BİRÇOK HASARI VEYA EKSİKLİĞİ OLAN KİTAPLAR NADİREN BULUNMAKTA VE 700$ CİVARINDA SATIŞLAR GERÇEKLEŞMEKTEDİR.
BU TARZ BİR ALBÜM SATIŞI SİTEDE ÇOK NADİR OLARAK GÖRÜLEBİLİR.
NOT: Profesyönel satıcı yada alıcı değilim. Fotoğraf Sanatı üzerinde hobi olarak çalışıyorum.
KİTAP DETAYLARI:
Lillian Bassman
by Lillian Bassman, Martin Harrison (Introduction by)
About this title: This monograph of Bassman's legendary work - the first ever published - presents the romantic, experimental visions, seen mostly in Harper's Bazaar, that brought a sophisticated new aesthetic to print photography. Yet the story of Bassman's life and newfound celebrity at age eight and the extraordinary tale of how her work survived are as remarkable as the images themselves. From the 1940s to the 1960s Bassman was at fashion's cutting edge, working as both art director and photographer. At Junior Bazaar she worked with young photographers like Richard Avedon, Robert Frank, Louis Faurer, Arnold Newman and Paul Himmel. Then, under Russian emigre and Modernist guru Alexey Brodovitch (and while using George Hoyningen-Huene's darkroom), Bassman started to shoot pictures herself - diffuse, moody images with an idiosyncratic vocabulary of gestures, and an unsettling edge. Bassman soon was in constant demand and, in addition to her editorial work, shot advertising campaigns for clients like Chanel and Balenciaga. By the 1970s, Bassman's interest in pure form began to clash with fashion's changing aesthetic. Her increasing disenchantment with fashion as an industry led her to abandon commercial photography for personal projects instead. In a bold attempt to free herself creatively from the past, she jettisoned forty years of negatives and prints - her life's work. Over twenty years later, luck resurrected a forgotten bag, brimful of hundreds of images. Now, Bassman is enjoying a resurgence at fashion's forefront, with exhibitions at museums and art galleries in New York, Paris, London, and Milan, several portfolios in the New York Times Magazine, the coveted Neiman Marcus campaign, and an upcoming 1997 retrospective exhibition at the Fashion Institute of Technology, New York, that plans to travel to Germany and Milan. This long-awaited monograph, presenting both past and recent work, is not only a tribute to a great talent in the annals of fashion and photography but also the story of an indomitable creative personality.
Product Details
ISBN: 0821223763
ISBN-13: 9780821223765
Format: Hardcover, 74pp
Publisher: Little, Brown & Company
Pub. Date: June 1997
Edition Number: 1
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